Regards croisés anarchistes sur Émile Zola et le naturalisme [document électronique] / Vittorio FRIGERIO (1958-) ; Émile ZOLA . - New Orleans [USA] : Aizen, 2022 . - 19 p. ; PDF texte. Tiré à part de: Excavatio, Vol. XXXIII, 2022 (ISSN 2368-6138) Langues : Français ( fre)
| Catégories : |
LITTÉRATURE
|
| Résumé : |
ABSTRACT
Secular patron saint of the libertarian movement, French Tolstoy in the making, and potential standard bearer of the cause public opinion decidedly resists, that is, the anarchist analysis of
society; or a bourgeois profiteer, cynical and immoral, building a reputation and an affluence on the backs of the popular classes and their misfortunes, by means of deceptive literary
representations of a milieu he knows practically nothing about? According to different situations and points of view, Émile Zola might have been all of the above for the anarchist militants, critics,
journalists, and writers, who were following the trajectory of his career and commented abundantly in their journals and pamphlets. This article, which is a continuation and deepening
of the subject of my book Émile Zola au pays de l’anarchie (2006), examines the image of Zola conveyed by outstanding figures from the libertarian movement of the fin-de-siècle period, writers
also of more or less renown: Han Ryner, Gérard de Lacaze-Duthiers, Victor Méric, and André Girard. By establishing connections among these authors’ texts devoted to Zola, we piece together
a complex and contradictory image of the writer, which takes shape in the writings of intellectuals close to the anarchists’ Black Flag, and we gain an understanding of the position of naturalism in
the development of their literary theories and their search for a definition of genuine anarchist literature. |
| Mention de responsabilité : |
Vittorio Frigerio |
| Permalink : |
https://www.cira.ch/catalogue/index.php?lvl=notice_display&id=317134 |
| Titre : |
Regards croisés anarchistes sur Émile Zola et le naturalisme |
| Type de document : |
document électronique |
| Auteurs : |
Vittorio FRIGERIO (1958-) ; Émile ZOLA |
| Editeur : |
New Orleans [USA] : Aizen |
| Année de publication : |
2022 |
| Importance : |
19 p. |
| Format : |
PDF texte |
| Note générale : |
Tiré à part de: Excavatio, Vol. XXXIII, 2022 (ISSN 2368-6138) |
| Langues : |
Français (fre) |
| Catégories : |
LITTÉRATURE
|
| Résumé : |
ABSTRACT
Secular patron saint of the libertarian movement, French Tolstoy in the making, and potential standard bearer of the cause public opinion decidedly resists, that is, the anarchist analysis of
society; or a bourgeois profiteer, cynical and immoral, building a reputation and an affluence on the backs of the popular classes and their misfortunes, by means of deceptive literary
representations of a milieu he knows practically nothing about? According to different situations and points of view, Émile Zola might have been all of the above for the anarchist militants, critics,
journalists, and writers, who were following the trajectory of his career and commented abundantly in their journals and pamphlets. This article, which is a continuation and deepening
of the subject of my book Émile Zola au pays de l’anarchie (2006), examines the image of Zola conveyed by outstanding figures from the libertarian movement of the fin-de-siècle period, writers
also of more or less renown: Han Ryner, Gérard de Lacaze-Duthiers, Victor Méric, and André Girard. By establishing connections among these authors’ texts devoted to Zola, we piece together
a complex and contradictory image of the writer, which takes shape in the writings of intellectuals close to the anarchists’ Black Flag, and we gain an understanding of the position of naturalism in
the development of their literary theories and their search for a definition of genuine anarchist literature. |
| Mention de responsabilité : |
Vittorio Frigerio |
| Permalink : |
https://www.cira.ch/catalogue/index.php?lvl=notice_display&id=317134 |
|  |
Ajouter le résultat dans votre panier Affiner la rechercheRegards croisés anarchistes sur Émile Zola et le naturalisme / Vittorio FRIGERIO / New Orleans [USA] : Aizen (2022)
